When doves cry…

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Dearly beloved
We are gathered here today
2 get through this thing called life

Electric word life
It means forever and that’s a mighty long time
But I’m here 2 tell u
There’s something else
The afterworld

A world of never ending happiness
U can always see the sun, day or night


You left too soon. Just two months after Vanity.

I saw you on stage a few times. The first was the best. Tully Gym. Florida State. Vanity 6. Yeah.

You rocked my world.


Sacred sounds

ShankarOne of the greatest musical talents of our time was silenced Tuesday. Ravi Shankar died at 92.

His was a name I grew up with, a name that made me proud to be Indian at a time when my country was known mostly for human misery.

I read the sad news of Shankar’s death Tuesday evening in The Hindu newspaper and thought back to a time when I was still in high school in Tallahassee, Florida. Ravi Shankar was touring the United States and he was coming to Florida State University’s music school for a performance.

There were only a handful of Indian families in Tallahassee then and not much for us in the way of our culture. It was a rare treat for us to be able to hear the pandit play the sitar.

My mother was especially excited. She sang Rabindra Sangeet and played the taanpura, an Indian string instrument that resembles the sitar but has no frets.

Then came a phone call from the organizers of the Shankar event at FSU. The maestro was sick of eating steak and potatoes and had requested a Bengali meal in Tallahassee. My mother was asked to do the honors.

It wasn’t easy to make authentic Bengali food at home in those days because no stores carried fenugreek or mustard oil. Most people didn’t even know what cilantro was back then.

My mother did the best she could with her stockpile of spices purchased from New York wholesalers. I remember she began cooking days ahead so she could present dinner in Indian fashion — at least seven or eight courses and then several desserts. The Bengalis are known for their “mishti.”

Listening to Ravi Shankar was magical that night. I didn’t understand Indian classical music very well then. In fact, I was not unlike most Westerners who equated Ravi Shankar’s name with George Harrison and the concert for Bangladesh.

The great tabla player Alla Rakha accompanied Shankar’s sitar that night. When they arrived at our humble split-level house for dinner, I was in awe. I couldn’t believe I was sitting at the same table with these musical giants.

Later, I came to appreciate Indian classic music much more. Now I own many of Ravi Shankar’s music as well as that of his daughter, Anoushka.

But my lack of knowledge didn’t matter that night in Florida. Shankar’s music was mellifluous. Like a luscious silk sari fluttering in the wind. Like rays of sun peaking through clouds. It was, as the pandit himself said, music that is sacred.

Read my appreciation of Ravi Shankar on CNN.



“If they answer not to your call, walk alone,
If they are afraid and cower mutely facing the wall, open your minds and speak out alone.
If they turn away, and desert you when crossing the wilderness,
trample the thorns under thy tread, and along the blood-lined track, travel alone.
If they do not hold up the light when the night is troubled with storm,
with the thunder flame of pain ignite thy own heart
and let it burn alone.”

This is the poetry of Rabindranath Tagore that was set to music and became a favorite of Mahatma Gandhi’s during the struggle for Indian independence. I heard the poetic words of courage first from my mother. She had a big booming voice and loved to sing this song. I also heard this sung by Suchitra Mitra, one of Bengal’s most well-known Rabindrasangeet singers.

There was a time in the late 1970s and early 1980s when my uncle would organize musical sessions at his house. Mitra would come to lend her voice on sultry Saturday evenings.

She died of a heart attack at her Kolkata home on Monday. She was 86, born the same year as my father. My cousin informed me of her death. She knew how much Mitra’s songs meant to me.

She took music lessons at Viswa Bharati University, where my mother had also gone to hone her skills. My mother filled our house with Mitra’s voice.

She loaned her voice to yet another song that came to represent another struggle for independence: “Amar Sonar Bangla” (My Golden Bengal) played on every radio in Kolkata during the Bangladesh war. It later became the national anthem of independent Bangladesh.

I have a Suchitra Mitra CD playing now and think of my beloved Bengal mourning her death.

For all my Bengali friends, here is the news story in Anandabazar Patrika.

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