He was known in my native India as the hero of the Bangladesh war.
In Israel, he was known as the highest-ranking Jew in the Indian Army.
Lieutenant General Farj Rafael Jacob died Wednesday morning. He was 92.
Jacob said in interviews that he was drawn to the then-British Indian Army in 1942 because of the massacre of Jews in the Holocaust. He fought on several fronts in World War II and went on to a storied military career. In 1971, he negotiated Pakistan’s surrender in the war that led to the independence of Bangladesh.
Notable Indians paid their tributes on social media after learning of Jacob’s passing:
RIP Lt Gen JFR Jacob. India will always remain grateful to him for his impeccable service to the nation at the most crucial moments.
I read in Indian newspapers that Jacob died at the Army Hospital in Delhi. He had no family in India anymore. That made me think about two things: that few people know about Jewish contributions to India and even fewer probably know that the Jewish community in India has sadly, for a variety of reasons, shriveled up.
Jacob’s family came to India from Iraq and he was born in my hometown of Kolkata, where there was once a thriving Jewish community. Now there are only 30 or so Jews left in a city of millions.
Here is a link to a story I reported in 2010. I felt sad writing it because the city that I love so much was poorer for the loss of the Jewish community. In writing it, I realized that a big part of Kolkata’s history was vanishing. Jacob’s death was another stark reminder.
Pope Francis announced that Mother Teresa is becoming a saint. She will be canonized next fall.
The pontiff attributed the miraculous healing of a Brazilian man with multiple brain tumors, which means the Albanian-born nun can now ascend to the most vaulted status in the Catholic church.
But for me, and millions in my hometown of Kolkata, Mother Teresa’s true miracles were on the streets of that city. She didn’t just save the life of a terminally ill Brazilian man; she saved the poorest of the poor.
Mother Teresa gave everything to make something of people who had nowhere to go. People who had no hope.
I saw this firsthand when I volunteered at an institution run by the Missionaries of Charity. Their main chapel was just down the street from my parents’ home in central Kolkata. I met Mother Teresa many years ago, before she was a Nobel laureate, before the world knew much about her.
She has been criticized in India from various corners. Some thought she was pushing a Catholic agenda in a mostly Hindu city. Others said she gained fame because she was a foreigner. I don’t pretend to know every truth about her. But I will say this: I know she helped care for desperate people who otherwise would have gone without help. I don’t know of anyone else who gave so tirelessly to the poor.
I first began speaking with K.S. Narendran right after the disappearance of MH Flight 370 in March 2014. His wife, Chandrika, was on that doomed jet.
We spoke by phone, Skype an email — conversations that resulted in several stories on CNN. I finally had the chance to meet him yesterday in Bangalore. I felt honored he made time for me.
I felt some apprehension about the meeting. I was not sure how much he still wanted to talk about the tragedy that befell him; how much he wanted to just move on.
But the meeting was easy. Even though I had never seen him before, at times, it felt that I had known him for a while. After all, he had shared with me some of the most personal parts of his life, the kind of things you share only with family and those closest to your heart.
In the end, we met not as journalist and subject of story but as friends, really — and with the hope that our friendship will continue.
Today we mark a day of solemnity, remembering all those who fought for our country. I salute you on Veterans Day, especially those of you I came to know well in Iraq. I think of you often, not just on days reserved to honor you.
Today is also a day of joy. It’s the festival of lights. Happy Diwali, everyone!
Hindus and Jains mark the day by decorating their homes and streets with rows and rows of diyas, or oil lamps. Well, these days, many folks use more convenient candles or electrical lamps.
Light is such an important metaphor in so many religions. It is the presence of a higher being. Hindus see light also as a metaphor for self-awareness and self-improvement.
The word Diwali comes from the Sanskrit Deepawali — a row of lights. The festival celebrates a triumph of good over evil.
The story stems from the Hindu epic, “Ramayana,” in which Prince Rama returns to the kingdom of Ayodhya from 14 long years of exile with his wife, Sita, and brother, Lakhsmana. Rama comes back a hero after defeating the nasty Ravana, the 10-headed king of the demons.
Rama becomes king and Ayodhya prospers in peace.
This was my favorite story of all from the Hindu epics, partly because I was born on Lakshmi puja, the day when Hindus pray to the goddess of prosperity. Sita is an avatar of Lakshmi, just as Rama is an avatar of the god Vishnu, the preserver.
The story of the good Sita ends with a dramatic account of the ground splitting apart and Sita enters Earth’s womb. It’s a rescue for her from the cruel world that challenged her purity.
My pishi (aunt) read me stories from the Ramayana when I was a little girl. On Thursdays, I sat with her and my great-aunt in a mezzanine level room that housed the altars to the gods. The two women chanted mantras in Sanskrit in worship of Lakshmi while I gazed on the idols and detailed photos of the gods and goddesses, especially Lakshmi.
I think of those days every year on Diwali. I am so far from home and feel so connected at times through my memories. I don’t have diyas at my home but tonight I will light a candle and think of all the times I have borne witness to goodness winning over evil, something I don’t do often enough.
The United States has scheduled three executions this week” Kelly Gissendaner in Georgia, Richard Glossip in Oklahoma and Alfredo Prieto in Virginia.
Gissendaner’s children are pleading for her life. They and others who know her say she epitomizes the prison system in that she has transformed herself behind bars. Gissendaner earned a degree in theology and ministers to fellow inmates. She is deeply remorseful for arranging the murder of her husband, Doug, in 1997. She doesn’t want freedom — she says she deserves a life in prison.
As I write this, a parole and pardons board in Georgia is meeting to reconsider an earlier decision to deny clemency.
I spoke with Glossip in Oklahoma last January, days before an execution date was set back then. He has always maintained his innocence and told me he was afraid the state would botch his execution like they had Clayton Lockett’s. Read the story here:
Prieto is a Salvadoran national who is lawyers say has an intellectual disability that would render his execution unconstitutional. You can read more about him here: http://www.amnestyusa.org/sites/default/files/uaa19815.pdf
A few weeks ago, I went to see “3 1/2 Minutes, Ten Bullets,” a riveting documentary about the shooting death of Jordan Davis at a Jacksonville gas station. It’s well worth your time.
On the way out, I picked up a Midtown Art film calendar that had Apu’s face on the cover. Apu as in Satyajit Ray’s “The Apu Trilogy, the highly acclaimed series of films about a free-spirited Bengali boy who grows into a man of the world.
Ray was my mother’s cousin and I always knew him as Manikmama. Manik was his nickname; mama means mother’s brother.
Ray directed more than 30 films and went on to gain international fame. But he also wrote books and made movies aimed at children. I grew up with tales of Feluda, the sleuth, and Professor Shonku, the scientist who spoke 69 languages.
But it was film, and specifically, “The Apu Trilogy” that catapulted Ray to international fame.
“Never having seen a Satyajit Ray film is like never having seen the sun or moon,” declared Japanese director Akira Kurusawa. That was a quote often recited in my hometown, Kolkata. Ray was such a point of pride, along with Mother Teresa and Amartya Sen, the Nobel Prize-winning economist.
Bengalis hailed him as a hero for the fame he showered on his people but many shied away from his work. His films were too negative, someone once told me. They were too real.
Yes, too real for comfort in a country still struggling to lift all boats. Ray’s movies were the opposite of Bollywood and had little to offer to the masses who wanted to escape at the cinema, not see their own reality.
“Pather Panchali,” which means Song of the Path, tells the story of Apu as a boy from a poor family in rural West Bengal. “Aparajito” or “The Unvanquished” follows Apu through his formative years as the family faces crushing poverty. Finally, we see Apu as an adult who marries and faces tragedy in the last of the trilogy, “Apur Sanser,” or “The World of Apu.”
For many years, I told my Western friends to watch Ray’s films to gain a better understanding of the place I came from, for insight into what life was like in Bengal. But the film quality was always poor, especially when the only way to see these films was to rent videotapes from Blockbuster.But now the films have been digitally restored and the subtitles are clear. If you live in Atlanta, I encourage you to go see the Ray trilogy at the Midtown Art Cinema, playing for a week starting August 14. Otherwise, you can always rent the DVDs or buy them online.The last time I saw my uncle was in 1992 when I went to visit him at his residence on Bishop Lefroy Road in Kolkata. He was in his usual stance — in repose on a wicker lounger with a cigarette in one hand and a cup of tea in the other. A month later, he received an honorary Oscar, the only Indian to receive an Academy Award to date.Audrey Hepburn presented the award to Ray, who by then had fallen gravely ill and was confined to his bed at a Kolkata hospital. I remember watching him on television that night, fighting tears of pride.He died shortly after, on April 23, 1992.There are many Indians in the world of art who have now made a name for themselves outside their homeland. But Ray, like Rabindranath Tagore in the literary world, was a pioneer.So many of my mother’s relatives were artistically inclined. They were painters, designers, poets and writers. I can’t help but feel that Ray had something to do with that. Or at least that his spirit guides me from within.
My heart breaks every time I read news from Iraq. So much so that I find myself clicking away or turning off the radio.
Ramadi, the capital of al-Anbar province, has fallen to the Islamic State. I think of the people I met there during the height of the Iraq War and have to stave off tears. Ramadi and nearby Fallujah were the two most dangerous cities for American soldiers and Marines. Ramadi was believed to be the most dangerous place on Earth.
I was last in Ramadi in March 2007, when the Anbar Awakening was gaining strength, Sunni insurgents were laying down their weapons and there was, at last, a real hope for peace. Residents recounted the gross atrocities they had witnessed — assassinations and public beheadings, among them. They told me how they lived in fear so constant that eventually, they learned to go about their lives at that heightened level of anxiety.
I found Ramadi apocalyptic. I did not see a single building that was not bullet-riddled or bombed. I did not speak to a single person whose life had not been shattered in some way.
I wonder if those people are still there. Or did they escape? I hope so.
What is it like to grow up with this kind of violence? Or to never be able to look forward to a future? It’s so hard for journalists in Iraq these days; too risky to walk the streets of Ramadi and talk to people. The stories are about battles won and territory lost. But we never hear the voices of human beings who are suffering.
The U.S. and Iraqi governments are scratching their heads on how to retake Ramadi from the clutches of ISIS. But all the strategizing in the world feels futile at the moment.
I reread one of my stories that ran in the Atlanta Journal-Constitution in 2007. It’s no longer posted on the newspaper’s website. But for anyone who is interested, here it is:
Scenes from Iraq: A PATH TO PEACE
By Moni Basu
The Atlanta Journal-Constitution
Ramadi, Iraq —- One afternoon last November, masked men raided the compound of houses belonging to Sheik Jassim Saleh Mohammed.
The intruders held an AK-47 rifle against the throat of Mohammed’s wife. They burned two houses. They killed 17 women and children. They killed his brother.
Overwhelmed by the carnage, the sheik uttered one word: “Enough.”
“I call it a decisive day,” Mohammed says, sitting on the front porch of his house overlooking a small lawn, pink roses and the charred ruins of his brother’s house. “After what they did to my family, I had enough.”
Mohammed was the first sheik in eastern Ramadi to turn against insurgents linked to al-Qaida in Mesopotamia. Today, he is part of a burgeoning movement of powerful Sunni tribal leaders who might have tacitly supported al-Qaida in the past but are fed up with the extreme violence. More than 40 sheiks have joined in a united front against both the insurgency —- which they say uses Islam as the rationale for slaughtering women and children —- and a perceived threat from Shiite Iran to the east. And they are cooperating with the Americans.
The sheiks call it the “Anbar Awakening.”
They wield considerable influence in the heavily tribal Anbar province that stretches west from Baghdad to Iraq’s borders with Syria, Jordan and Saudi Arabia. Col. John Charlton, the overall American commander here, says the sheiks’ support has allowed U.S. troops to raid restive neighborhoods, purge insurgents and set up American-Iraqi police stations throughout Ramadi, where the police force had been all but wiped out.
“The sheiks in this part of the world are the conduit to the community,” says Charlton, who heads the Fort Stewart-based 3rd Infantry Division’s 1st Brigade Combat Team, responsible for Ramadi since January.
“I could speak to all 400,000 people in Ramadi and have no impact,” Charlton says. “But if a sheik puts his arm around me, it’s a different story.”
Building relationships with community leaders has been a key facet of U.S. counterinsurgency tactics in Iraq. Part of the much-heralded security push that began Feb. 14 in Baghdad put American forces in the neighborhoods they patrol instead of returning to isolated military bases.
The strategy appears to be paying off here in Ramadi, where U.S. troops live in makeshift compounds throughout the city helping the Iraqi Army and police keep the calm.
Signs of normalcy have started emerging in Ramadi, until recently a ghost town. A man sells produce at a roadside stall. Laughing children walk down the street behind a woman who smiles and says “welcome” to passing American soldiers.
Lt. Col. Miciotto Johnson, an Atlantan who commands one of Charlton’s battalions, Task Force 1-77 Armor, says Ramadi is a tale of two cities —- one where bloodshed was as routine as sunrise, the other where guns have almost fallen silent.
The Iraqis say if you throw your hat into the air in Ramadi, it will come down with 12 bullet holes in it.
A drive down the main east-west road that runs parallel to the Euphrates River conjures images of Hiroshima after the atom bomb. Not a single building stands unmarked. A fifth-floor balcony crashed to the sidewalk. Gnarled metal gates resembling Twizzler sticks. Carcasses of blown-up cars. Shattered glass. Trash everywhere. Facades of what were once apartments, offices and shops riddled with bullet holes. “Swiss cheese,” as the soldiers call it.
Saddam Hussein’s troops and U.S. forces fought fierce battles here during the 2003 invasion. When the United States disbanded Saddam’s military, many of the disgruntled men came home to Ramadi.
Anda Khalaf, a colonel in the former Iraqi Army, says the insurgency was imported to Iraq by foreigners but mushroomed here because so many men were sitting at home, jobless and angry. Last year, half the terrorist attacks in Iraq occurred in Ramadi.
The city has been al-Qaida’s haven and America’s hell on earth —- the ugly, beating heart of the insurgency.
The Americans believe democracy will help return this city to its people.
On a balmy April morning, Mohammed, the sheik from eastern Ramadi, heads to a district meeting. He is the leading candidate in an election to choose the district of Sufia’s representative on the Ramadi city council.
Mohammed wears the traditional dress for Arab men —- a pressed white dishdasha covered in a sheer black muslin robe with gold brocade trim. He is a simple man, a farmer who is not well educated. But he is smart enough to recognize his weaknesses and surrounds himself with polished men in suits and ties.
American military officers are at the meeting to ensure Sufia’s first act of democracy is unblemished. Mohammed enters a two-story building where two U.S. infantrymen were killed in a recent firefight and where, today, local ballots will be cast. In a show of good faith, American soldiers and Marines around the building remove their body armor and helmets. Standing unprotected on the street, they appear uneasy.
But there is no gunfire today. People are not giving the Americans the “evil eye,” a term soldiers use for glances that say: Get out.
“I am in shock,” says Sgt. 1st Class Thomas Dougherty of the more tolerant atmosphere.
Inside the building, the voting comes to a close. Mohammed, who heads the sizable al-Soda tribe, wins by a large margin. The Iraqis then serve lunch on long folding tables outside the meeting hall.
Capt. Jamey Gadoury, commander of 1st Battalion, 9th Infantry Regiment’s Charlie Company, shares lamb and rice with Sufia’s community leaders and members of the Iraqi police.
There are three ways to deal with insurgents, he says, tearing a piece of bread and scooping up a chunk of meat. “You either want to kill them, make them go away or get them on your side.”
When asked what happened to the insurgents in Sufia, Gadoury stops chewing his food and grins.
“You’re eating with them,” he says.
What Gadoury means is that some Iraqis who planted bombs and pointed rifles at the Americans just a month ago now have switched sides.
Yet with that welcome change comes uncertainty: There’s no easy way to tell good from bad.
The police often don’t wear uniforms. They cover their heads and faces with rags, sling AK-47s on their shoulders and ride in the back of pickup trucks. They look disquietingly like insurgents.
Ramadi’s ferocious fighting nearly wiped out the police force —- its numbers dwindled to 35 a year ago. Today, Johnson, the 1-77 Armor commander, says 4,500 police patrol the city through nine permanent stations and many more substations.
Red squares and triangles on a U.S. military map indicate security posts throughout the city. A few months ago, the map was nearly void of the shapes. Now it is covered in them.
Every American soldier who has patrolled Ramadi’s streets knows how to predict danger.
“Even if people don’t tell you anything, their body language does,” says 1st. Lt. Curt Daniels of 1-9 Infantry’s Able Company.
Daniels leads his platoon through Melaab, a neighborhood known as “the heart of darkness.”
When residents are asked what it was like here before the recent calm, they glide their right index finger across their throats. The insurgents brazenly beheaded people in public and distributed videos of the executions.
Daniels walks over a road where patches cover craters created by improvised explosive devices. The Americans recently found 15 IEDs and 2,500 pounds of explosives in Melaab.
In January, Ramadi suffered about 140 violent attacks a week. By the end of March, it dropped to a little over 60.
Daniels says insurgents are “laying low now” after the sheiks cleared the way for security forces to saturate neighborhoods.
“There’s no way you are going to kill or capture every insurgent,” he says, surveying the neighborhood from the rooftop of a police station, the sound of gunfire echoing in the distance. Then Daniels takes a line straight out of the Army’s counterinsurgency manual: “As soon as you win the faith of the people, the insurgents go away.”
Johnson, the 1-77 commander, says the peace will not hold in Ramadi unless local forces take control.
“They see my soldiers as just that —- soldiers,” he says. “The populace trusts the Iraqi police. These are their fathers and brothers, uncles and cousins.”
If anyone can sniff out bad from good, Johnson says, it’s the local police.
The day after his election, Mohammed, the sheik from Sufia, arrives at a joint Iraqi-American camp in central Ramadi for his first city council meeting.
He clutches a gray file filled with notes and says he already has started thinking of reconstruction projects.
Outside, the skies are ominous. It has been rained intermittently, but that’s enough to flood this city without any infrastructure. Mohammed wipes the mud off his leather loafers. He adjusts the white kufiya on his head and appeals to Ramadi Mayor Latif Obaid Eiada.
“We need many things,” Mohammed says.
Every district representative echoes Mohammed’s statements. Everyone is impatient.
Charlton, the brigade commander, attempts to soothe the crowd. He knows that the 15 months his brigade spends here will only be the start of an arduous process.
“This is probably the most damaged city in Iraq,” he says. “I’ll bet my paycheck on that. It’s going to take years to put it back together.”
Charlton promises the Ramadi council that U.S. forces will support its reconstruction priorities.
Realizing the fragility of the fledgling council, he implores them to keep on the right path. “We’ve worked too hard to let terrorists back into the community,” he says.
Mohammed nods in agreement. He has paid the price for peace.
The film “Aradhana” had just made its big splash in 1969 when my family returned once again from a soujourn in America to India. As we settled back to a middle-class existence that back then meant ration cards and standing in line for water, the songs of “Aradhana” blared on speakers at street stalls. We had a radio at home but half the time we didn’t have electricity. So there were two ways to hear music for someone like me in Kolkata: go see the movie over and over again at a cheap matinee or listen to the street speakers.
The movie starred Sharmila Tagore, a Bengali actress who was hugely popular in Kolkata, and Rajesh Khanna, perhaps the biggest star in Bollywood at the time. The songs were all number one hits and I went to see the movie many times with Shantidi, the woman who worked for us as a housekeeper.
That summer, we went to Delhi to visit my father’s brother. I called him Rangakaka.
My uncle’s name was Tapan Kumar Basu. In my culture, younger people never address an elder person by their first name. Kaka is the word for a father’s younger brother. My father had four brothers so the family gave them all terms of endearment. Ranga was the name given to this uncle. It means color in Bengali, a fitting name for a man with so much joie de vivre.
Rangakaka was the most outgoing, the most gregarious of all my father’s brothers, I thought. He gave new meaning to “eat, drink and be merry.”
On that trip to Delhi, I was only 7 years old and did not know my uncle well then, though my parents were very close to him.
When he was a college student, he had lived with my mother and father in north Kolkata for a while. One of the stories that was often circulated in the family was of the time when my parents were out and burglars broke into the house, gagged and tied Rangakaka up and shoved him under the bed. My father always told me Rangakaka was a lucky man that day.
Instantly, I took a liking to Rangakaka. One big reason was that he knew all the lyrics to my favorite “Aradhana” songs. Another reason was that Rangakaka drove us everywhere in his Fiat when few people in my family even owned cars. Those who did hired chauffeurs to take them around. But not Rangakaka. He told me he loved to drive. In the early 1970s, the streets of Delhi were wide open and it was easy to navigate traffic. Unimaginable today.
Rangakaka drove us around and all the while regaled us with song. “Roop tera, Mustana. Pyar mera, diwana. Bhuul koi hamse naa ho jaaye.” Your beauty is intoxicating. My love is crazy. Let’s not make any mistakes.
I loved that I had such a hip uncle who knew the songs that were dear to me. My parents did not care for popular Hindi songs. They listened to far more intellectual Bengali music, which I did not understand well then and therefore, was not interested. It was sort of like having a mom and dad who listened to Beethoven and then visiting an uncle who sang the Beatles. Yay.
Rangakaka sported sideburns, drank whisky and smoked cigarettes. He liked to dance and get loud. Everything my father was not.
He was an architectural engineer and in his long career, he worked on several important projects in India, including the Vidyasagar Setu, the longest cable-stayed bridge in India that carries traffic over the Hooghly River in Kolkata. A lot of his work was in the Indian state of Jammu and Kashmir and when the insurgency raged in the late 1980s and 1990s, I listened to my uncle lament the destruction of one of the most beautiful places in India. Later, when I went to Srinagar to cover the war, Rangakaka set me up with his contacts and friends. I felt a modicum of security knowing that I could run to my uncle’s friend’s house if I were in danger. They would have done anything for me because I was Tapan’s niece. That’s how much my uncle’s friends respected him.
I wish I had spoken more with my uncle about his work, especially in Kashmir. I wish I had spent more time with him when he still confronted life full on. For many years, when my parents were still alive, I did not go to Delhi much so that I could spend more of my precious few vacation days at home in Kolkata. It was only in recent years that I spent considerable time in India’s capital, reporting stories for CNN and visiting family.
My uncle and aunt were always generous with their hospitality. The house that they built in the 1970s always had guests in the downstairs room. We referred to it solely by its street number — J1815. I have so many fond memories of Rangakaka there.
On my last two trips, Rangakaka was weak and had trouble going up and down the stairs. Everyone gathered in the evenings in his upstairs bedroom, where we’d munch on snacks, sip wine and talk. Often it was about his adventures or about my childhood. My uncle and I both loved a syrupy Bengali dessert delicacy called Chom Chom. Rangakaka was famed for the number of Chom Choms he could eat at one sitting. He told me once that I was as sweet as a Chom Chom and from then on, that’s what he called me. I was 51 the last time I saw him and he was still calling me by that name.
“Mone aachhe, Chom Chom?” he said. “Do you remember, Chom Chom?” And then he launched into a childhood story.
I had planned to visit Delhi in January but for many reasons, I postponed my trip. Now I am full of regret.
Rangakaka died on April 9. He was 77.
I was on assignment for CNN when I received the sad news in a text from Rangakaka’s eldest son, my cousin Jayanta. My heart grew heavy. It was as though I had lost my father all over again.
At the Charlotte airport, I plugged in my ear buds, went to my Hindi playlist and selected “Aradhana.” I could hear Rangakaka singing, and it made me smile.
I hadn’t heard the sad news until my friend Lee sent me an email this morning with the New York Times obituary. Immediately, I went to the Anne Frank Foundation website and read the announcement . Her cousin, Buddy Elias, died March 16 shortly before his 90th birthday at his home in Basel, Switzerland.
The reason Lee sent me the obit was because the New York Times cited a story I wrote on Elias in 2012.
I met Elias and his wife, Gerti, at an uptown Atlanta hotel. He was touring the United States to promote a book, “Anne Frank’s Family,” which told the story of the entire Frank family. Many of the details in the book were not known until an amazing discovery more than a decade ago. You’ll have to read the story on CNN.com to find out what that was.
I felt a sadness come over me this morning when I learned of Elias’ death.
Like millions of others, I was deeply influenced by “The Diary of Anne Frank.” I was in the seventh grade in India when my father bought me the book. It was fascinating to hear Elias talk about his days with Anne. I felt I got to know her all over again, in happier days,
My CNN story begins like this:
If the curves of Buddy Elias’ 86-year-old face look familiar, it’s because he is the closest surviving relative of the girl whose diary gave an early glimpse into the Holocaust. It’s not difficult to see that Elias is Anne Frank’s first cousin. He has the same soulful eyes and smile in the photographs that accompanied Anne’s famous diary, written while hiding from the Nazis.
He was my closest personal encounter with a girl who opened my eyes to the cruelty of this world. It was the goodness of Anne that amazes every reader of her diary, despite it all.
On a bright December afternoon in Kolkata, I watched a handful of young women throw their arms in the air, swirl the scarves of their salwar kameez and leap from one end of the courtyard to the other. They danced their cares away. Literally.
The women had all been forced into prostitution or into abusive relationships. Dance was their therapy. For some, it was their only joy in life.
Their leader is Sohini Chakraborty, a sociologist and dancer, who launched Kolkata Sanved after experimenting with rehabilitation for sexual violence survivors through dance. A poster she saw once at Kolkata’s massive book fair steered her in that direction. Under a photograph of a girl were these words: “They sell me, my own blood for gold and silver, I rinse and rinse my mouth but the treachery remains,’ printed underneath.”
Chakraborty says she went inside the book stall to learn more about that girl and “embarked on a new journey.”
I spent many hours with the women and girls at Kolkata Sanved. It was amazing how uplifting it was to watch them come alive through music and movement. I even danced with them on my last day.
Today, on International Women’s Day, I salute Sohini, her staff and all the women who have rediscovered themselves through Kolkata Sanved. And all the other brave women I have met through the years on my travels around the world. We have a long way to go. But we have also come a long way.